SCULPTURES

Times Expansion assembles black architectural volumes around a finely woven grid panel at its core, its diagonal threads radiating to the corners. Burnt wood and mirror-polished steel layer outward in measured steps time accumulating as built structure.

Dimensional Plenitude spreads a panorama of blue-steel towers across reflective horizontal shelves, anchored by a white disc and black dot. The composition opens outward into a sense of full, expansive space: structure unfolding to occupy every dimension it can reach.

Structural Modulations arranges grey, black and white volumes around a finely woven grid square at its centre. The rectilinear elements modulate outward in restrained tonal steps, a quiet architecture built on proportion and the interplay of solid and transparent planes.

Irradiating Patterns radiates outward from a mirrored steel core in a dense corona of vertical glass blades. Dichroic panels shift between amber, blue and violet as the light moves across them, their fine barcode-like striations dissolving the solid structure into pure frequency, architecture irradiating into light and colour.

Concrete Parallax explodes a cityscape outward across a horizontal span, its layered planes shifting in depth as the viewer moves. A gradient travels from cool blue through amber to magenta, the linear architecture splintering and recomposing in parallax, solidity rendered as motion.

Modulor Expansions centres on a black woven-grid square set against a warm red glow, layered platforms expanding outward in measured steps. The title’s nod to Le Corbusier’s Modulor runs through the work, a proportional system caught in the act of expanding.

This circular wall sculpture explores the interplay of architecture, light, and reflection. The composition radiates outward in dynamic lines, creating an immersive perspective that shifts with the viewer’s movement. The mirror-polished surface and gradient hues evoke both urban structures and cosmic expansion, blurring the line between painting, sculpture, and installation.

This circular wall sculpture explores the interplay of architecture, light, and reflection. The composition radiates outward in dynamic lines, creating an immersive perspective that shifts with the viewer’s movement. The mirror-polished surface and gradient hues evoke both urban structures and cosmic expansion, blurring the line between painting, sculpture, and installation.

Ascending Diffraction thrusts upward in a vertical burst of black and electric blue shards. Scaffolding fragments lift and diffract toward the sky, the structure caught in the act of rising. Architecture unmoored from the ground, dispersing into light.

This earlier Ascending Diffraction erupts in a dense burst of black and electric-blue blades, a fine scaffolding lattice exposed at its core. Sharp shards thrust outward in every direction, the structure caught at the violent moment of diffraction, order shattering into trajectory.

Expanded Limits folds laser-cut mirror steel outward from a tight central core, blue planes radiating in a compact, faceted burst. Among the earliest of the series, it sets out the language the later work expands: structure, reflection, and the edge where form begins to break apart.

Structured Voids draws a white linear cityscape out of deep black, its architecture radiating from a single vanishing point at the centre. Skeletal lines and open voids spiral outward in explosive perspective. Structure defined as much by what is absent as by what is built.

Structural Opalescence radiates white blades outward from a deep central tunnel, where shifting opalescent blues and pinks recede toward a vanishing point. The composition draws the eye inward through receding frames, architecture folding into its own perspective, shimmering at the threshold of depth.