CUBICLES

A square field of white nylon threads stretched within an acrylic glass frame. The lines converge toward a central axis and multiply into a dense web, so that the depth of the work changes with the light and the viewer’s position.

This wall sculpture looks upward through a multiplying lattice of towers, their edges crossing and recrossing toward a distant vanishing point. Nylon wires over painted MDF build a perspective that tightens as it rises. The vertical pressure of the city as one ascending structure.

This wall sculpture pulls a field of buildings toward a single gravitational point, where dense construction gives way to an open dark void. Nylon wires over painted MDF sustain the tension between accumulation and emptiness. The city as a force field, ordered and unstable at once.

Titled by the coordinates of its site, this circular composition maps a place through structure, not depiction. Concentric rings and vertical bands build a dense field where architecture, signal and orbit overlap, location read as a system of intersecting lines and frequencies.

This circular wall sculpture is built almost entirely from nylon thread, drawn taut across the surface into a dense radial web. Light passes through and around the wires, so the piece shifts with the viewer’s position. Structure and scale linked into a single luminous field.

This wall sculpture saturates the surface with a grid pushed to the edge of legibility, its lines accelerating outward from a dense core. Mixed media on wood with nylon wires behind acrylic glass holds order and chaos in tension. A structure that seems to extend beyond its frame.

This wall sculpture detonates a field of blue shards and lines outward from a single point, fracturing architecture into pure trajectory. Acrylic on forex with nylon wires behind acrylic glass builds a charged, prismatic depth; colour as energy, the city dissolved into force.