For the 2017 edition of the biennale at Völklinger Hütte, Thomas Canto installed Rhythmic Vertigo inside a vertical industrial tower of the UNESCO-listed site. He developed it with Jérémie Bellot for the light and NaNo for the sound.
The structure radiates from a central core in stretched threads and suspended elements, forming a spatial vortex against the raw textures of the site. Projected video mapping heightens the tension between material, movement and perception. It was his second invitation to the biennale, after Celestial Time Blast in 2015.